Impure cinema : intermedial and intercultural approaches to film /
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| Imprint: | London : I.B. Tauris, 2014. New York : Palgrave Macmillan |
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| Description: | xxxi, 304 pages ; 24 cm. |
| Language: | English |
| Series: | Tauris world cinema series Tauris world cinema series. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/9804981 |
Table of Contents:
- List of Illustrations
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I. The History And Politics Of Impurity
- 1. From Impurity to Historicity
- 2. The Politics of Impurity
- Part II. Intertextual And Intercultural Dialogues
- 3. Contestations of Intercultural Collaboration: the Case of Whale Rider
- 4. Adapting Frida Kahlo: The Film-Paintings
- 5. Transatlantic Drift: Hobos, Slackers, Flâneurs, Idiots and Edukators
- 6. Captain Swing the Fearless: a Turkish film adaptation of an Italian Western Comic Strip
- Part III. Literary Impurities
- 7. Adaptation by Degree: A Study of Vittorio De Sica's Bicycle Thieves
- 8. The Supernatural from Page to Screen: Ambrose Bierce's and Robert Enrico's An Ocurrence at Owl Creek Bridge
- Part IV. Border-Crossing Films
- 9. An Art in the Rough: the Cinema of João César Monteiro
- 10. Relational Subjectivity, Impure Voice: The Video Essays of Agnès Varda, Bingöl Elmas and Kathy High
- 11. Jia Zhangke's Cinema and Chinese Garden Architecture
- 12. Amidst Landscapes of Mobility: The Embodied Turn in Contemporary Chinese Cinema
- Part V. Post-Medium Films
- 13. Chantal Akerman: Moving Between Cinema and Installation
- 14. Projection as Performance: Intermediality in Japan's Expanded Cinema
- 15. Shooting for a Cause: Cyberactivism and Genre Hybridisation in The Cove
- 16. David Lynch Between Analogue and Digital: Lost Highway, The Straight Story and the Interview Project
- Index
