Italian women filmmakers and the gendered screen /
Saved in:
| Edition: | First edition. |
|---|---|
| Imprint: | New York : Palgrave Macmillan, 2013. |
| Description: | xxiv, 284 pages ; 23 cm. |
| Language: | English |
| Series: | Italian and Italian American studies Italian and Italian American studies (Palgrave Macmillan (Firm)) |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/9896691 |
Table of Contents:
- List of Figures
- Foreword
- Preface
- Acknowledgments
- Introduction
- Part I.
- 1. Napoli Terra dÆAmore: The Eye on the Screen of Elvira Notari
- 2. Grotesque Bodies, Fragmented Selves: Lina Wertmüller's Women in Love and Anarchy (1973)
- 3. Don't Bring a Gun to a Fistfight: Deconstructing. Hegemonic Masculinity through the Gun in Lina Wertmüller's Pasqualino Settebellezze
- 4. Adventurous Identities: Cavani's Thematic Imaginary
- 5. Healing the Daughter's Body in Francesca Archibugi's II Grande Cocomero
- 6. Motherhood Revisited in Francesca Comencini's Lo Spazio Bianco
- 7. Women in the Deserted City: Urban Space in Marina Spada's Cinema
- 8. Envisioning Our Mother's Face: Reading Alina Marazzi's Un'ora sola ti vorrei and Vogliamo anche le rose
- 9. Alina Marazzi's Women: A Director in Search of Herself through a Female Genealogy
- 10. Angela/o and the Gender Disruption of Masculine Society in Purple Sea
- 11. Ilaria Borrelli: Cinema and Postfeminism
- Part II.
- 12. Skype Interview with Alina Marazzi (June 2012)
- 13. Interview with Marina Spada (Milan, June 2012)
- 14. Interview with Alice Rohrwacher (Rome, June 2012)
- 15. Interview with Paola Randi (Rome, June 2012)
- 16. Interview with Costanza Quatriglio (July 2012)
- Notes on Contributors
- Index
