Cézanne and the modern : masterpieces of European art from the Pearlman Collection /

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Bibliographic Details
Imprint:Princeton, New Jersey : Princeton University Art Museum, 2014.
New Haven : Yale University Press, 2014.
©2014
Description:xv, 303 pages : illustrations (chiefly colour) ; 30 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/9980954
Hidden Bibliographic Details
Varying Form of Title:Masterpieces of European art from the Pearlman Collection
Other authors / contributors:Friedman, Jane, editor of compilation.
Herson, Sharon, editor of compilation.
Walen, Audrey, editor of compilation.
Ashmolean Museum, host institution.
Musée Granet, host institution.
High Museum of Art, host institution.
Vancouver Art Gallery, host institution.
Princeton University. Art Museum, host institution.
ISBN:9780300174403 (hbk.)
0300174403 (hbk.)
Notes:Published on the occasion of the exhibition of the same name, held at Ashmolean Museum of Art and Archaeology, Oxford, March 13-June 22, 2014, Musée Granet, Aix-en-Provence, July 11-October 5, 2014, High Museum of Art, Atlanta, October 25, 2014-January 11, 2015, Vancouver Art Gallery, February 7-May 18, 2015, and Princeton University Art Museum, September 12 2015-January 3, 2016.
Includes bibliographical references (pages 289-301).
Description
Summary:

A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America's most distinguished private collections

Cézanne and the Modern showcases fifty masterworks of late 19th- to mid-20th-century avant-garde European art from the Henry and Rose Pearlman Collection, one of the most distinguished private collections of modern art in the United States. Among the iconic images represented are Paul Cézanne's Mont Sainte-Victoire , Vincent van Gogh's Tarascon Stagecoach , and Amedeo Modigliani's portrait of Jean Cocteau, as well as an outstanding suite of sixteen watercolors by Cézanne. The volume opens with Henry Pearlman's "Reminiscences of a Collector," a fascinating first-person narrative, newly annotated to identify key individuals and dates mentioned in the text. An essay by art historian Rachael Z. DeLue places Pearlman in the context of mid-20th-century American collecting, and a detailed chronology illuminates Pearlman's collecting practices in relation to noteworthy events in the art world. A series of sixteen brief essays by leading scholars focuses on each of the represented artists and their works, richly illustrated with sumptuous color plates, select details, and numerous comparative images. A comprehensive checklist documenting each of the works--including detailed provenance, exhibition history, bibliographic references, and commentary by a conservator--rounds out this handsome volume, which is published to accompany the first international tour of this important collection.

Item Description:Published on the occasion of the exhibition of the same name, held at Ashmolean Museum of Art and Archaeology, Oxford, March 13-June 22, 2014, Musée Granet, Aix-en-Provence, July 11-October 5, 2014, High Museum of Art, Atlanta, October 25, 2014-January 11, 2015, Vancouver Art Gallery, February 7-May 18, 2015, and Princeton University Art Museum, September 12 2015-January 3, 2016.
Physical Description:xv, 303 pages : illustrations (chiefly colour) ; 30 cm
Bibliography:Includes bibliographical references (pages 289-301).
ISBN:9780300174403
0300174403