Hidden Bibliographic Details
| Other authors / contributors: | Marlow, Tim, 1963- contributor.
Milner, John, 1946- organizer.
Murray, Natalia, organizer.
Dumas, Ann, organizer.
Bray, Rebecca, organizer.
Gullström, Beatrice, editor.
Hissey, Alison, editor.
Krueger, Carola, editor.
Sawbridge, Peter, editor.
Tite, Nick, editor.
Addison, Ruth, translator.
Bouis, Antonina W., translator.
Royal Academy of Arts (Great Britain), host institution, publisher, issuing body.
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| ISBN: | 9781910350430
1910350435
9781910350447
1910350443
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| Notes: | Published to accompany an exhibition held at the Royal Academy of Arts, London, 11 February-17 April 2017.
Includes index with biographies of artists by Lauren Warner.
Includes bibliographical references (page 318) and index.
"Revolution: Russian Art, 1917-1932" : February 11-April 17, 2017, Royal Academy of Arts, London, England, United Kingdom.
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| Summary: | Revolution: Russian Art, 1917-1932' encapsulates a momentous period in Russian history that is vividly expressed in the diversity of art produced between 1917, the year of the October Revolution, and 1932 when Stalin began to suppress the avant-garde and its debates. Based around the great exhibition of 1932 held at the State Russian Museum in Leningrad, the book explores the fascinating themes and artistic developments of the first fifteen years of the Soviet state, including painting, sculpture, ceramics, posters, graphics and film. The exhibition itself was to be the swansong of avant-garde art in Russia: new policies quickly ensured that Socialist Realism - collective in production, public in manifestation and Communist in ideology - was to become the only acceptable art form. This volume is a timely and authoritative exploration of how modern art in all its forms flourished, was recognised, celebrated, and broken by implacable authority all within fifteen years.
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