Hidden Bibliographic Details
| Varying Form of Title: | Breaking the waves
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| ISBN: | 9780231850124
0231850123
9781906660253
1906660255
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| Digital file characteristics: | text file PDF
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| Notes: | Includes bibliographical references (pages 124-130), filmography (p. 116-123) and index.
Restrictions unspecified
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
digitized 2011 HathiTrust Digital Library committed to preserve
Print version record.
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| Summary: | Annotation New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy (1999), Oldboy (2003), and The Host (2006).
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| Other form: | Print version: Paquet, Darcy. New Korean cinema. London ; New York : Wallflower, 2009 9781906660253
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| Publisher's no.: | EB00640529 Recorded Books
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