Amos in song and book culture /

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Bibliographic Details
Author / Creator:Rilett Wood, Joyce Louise.
Imprint:London ; New York : Sheffield Academic Press, ©2002.
Description:1 online resource (249 pages).
Language:English
Series:Journal for the study of the Old Testament. Supplement series ; 337
Journal for the study of the Old Testament. Supplement series ; 337.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11183529
Hidden Bibliographic Details
ISBN:9780567332363
0567332365
9781841272443
1841272442
Notes:Originally presented as the author's thesis (doctoral)--Toronto School of Theology, 1993.
Includes bibliographical references (pages 218-234) and indexes.
Print version record.
Summary:This study argues that the gist and movement of the prophecy in the book of Amos can be attributed to Amos himself, who composed a coherent cycle of poetry. His dire predictions came after the Fall of Samaria but before the Fall of Jerusalem. Writing a century later, the author of the book preserved but updated Amos' text by fitting it into a developing literary, historical and prophetic tradition. Amos is used as a test case to show that prophecy originated in the performing arts but was later transformed into history and biography. The original prophecy is a song Amos recited at symposia or.
Other form:Print version: Rilett Wood, Joyce Louise. Amos in song and book culture. London ; New York : Sheffield Academic Press, ©2002 1841272442 9781841272443