The dance technique of Doris Humphrey and its creative potential /

Saved in:
Bibliographic Details
Author / Creator:Stodelle, Ernestine.
Imprint:Princeton, N.J. : Princeton Book Co., 1978.
Description:1 online resource (xiii, 264 pages, 1 unnumbered leaf of plates) : illustrations
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11200531
Hidden Bibliographic Details
ISBN:9780871272782
0871272784
9780916622077
091662207X
Digital file characteristics:data file
Notes:Includes bibliographical references.
Restrictions unspecified
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve
Print version record.
Summary:The Dance Technique of Doris Humphrey and Its Creative Potential pays respect to the work of American modern dance pioneer Doris Humphrey. Her theories of movement, based upon the principles of Fall and Recovery, are no less well-known by reputation than by their pervasive influence. This 1978 publication was the first documentation in book format of her movement theories, presented and analyzed by a first-generation disciple. The book teaches more than sixty exercises, geared to the beginning and intermediate student through the means of written description and illustration. The historical and philosophical background of the technique is discussed and descriptions of Humphrey's dance compositions are used as case studies of the exercises. The Dance Technique of Doris Humphrey is divided into three parts: The Background of the Technique reveals how the theory evolved, inspired by the writings of philosopher Friedrich Nietzsche; The Technique as Practice contains chapters on center, floor and barre work, as well as spatial sequences; The Creative Potential of the Technique describes how the three basic ingredients of dance movement-rhythm, dynamic and design-can be used to create dances. There is also an Epilogue, which analyzes the choreographic concepts underlying four of Humphrey's most well-known dance works: Air for the G String, La Valse, Two Ecstatic Themes and Passacaglia. Includes 21 illustrations.
Other form:Print version: Stodelle, Ernestine. Dance technique of Doris Humphrey and its creative potential. Princeton, N.J. : Princeton Book Co., 1978