Partimento and continuo playing in theory and in practice /

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Bibliographic Details
Meeting name:	International Orpheus Academy for Music Theory (4th : 2006)
Imprint:	Leuven : Leuven University Press, 2010.
Description:	1 online resource (136 pages) : illustrations, music
Language:	English
Series:	Collected writings of the Orpheus Institute ; #9 Collected writings of the Orpheus Institute ; #9.
Subject:	Continuo. Composition (Music) Performance practice (Music) Counterpoint. Musical accompaniment. Music theory -- Composition -- History and criticism. Composition (Music) Continuo. Counterpoint. Musical accompaniment. Performance practice (Music) Electronic books. Criticism, interpretation, etc.
Format:	E-Resource Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/11224210

Hidden Bibliographic Details
Other authors / contributors:	Christensen, Thomas Street. Moelants, Dirk, 1946- Snyers, Kathleen.
ISBN:	9789461660947 9461660944 9789058678287 9058678288
Notes:	Collected essays based on lectures given at the 4th International Orpheus Academy for Music Theory in 2006. Includes bibliographical references. Print version record.
Summary:	This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions to this book. Thomas Christensen, in his contribution, shows how the development of tonal.
Other form:	Print version: International Orpheus Academy for Music Theory (4th : 2006). Partimento and continuo playing in theory and in practice 9789058678287

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