Absolute music, mechanical reproduction /

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Bibliographic Details
Author / Creator:Ashby, Arved Mark.
Imprint:Berkeley : University of California Press, ©2010.
Description:1 online resource (xii, 317 pages) : illustrations, music
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11227542
Hidden Bibliographic Details
ISBN:9780520945692
0520945697
1282697668
9781282697669
9780520264793
0520264797
9780520264809
0520264800
9786612697661
6612697660
Notes:Includes bibliographical references (pages 299-308) and index.
English.
Print version record.
Summary:Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart.
Other form:Print version: Ashby, Arved Mark. Absolute music, mechanical reproduction. Berkeley : University of California Press, ©2010 9780520264793
Standard no.:9786612697661