| Summary: | For decades, James Joyce's modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe's urban centers have led critics to see him almost exclusively as a cosmopolitan figure. In Joyce's Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce's Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce's stylistic innovations can be traced to the tragedies of Irish history as well as the shock of European modernity, as he explores the anomalies of inner life under colonialism. Joyce's language, Gibbons reveals, is less concerned with the stream of consciousness than with a vernacular interior dialogue, the "shout in the street" haunted by absent voices and shadowy presences of a late colonial culture in crisis. Showing how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce's achievement and its foundations. -- from dust jacket.
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