The changing of knowledge in composition : contemporary perspectives /

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Bibliographic Details
Imprint:Logan, Utah : Utah State University Press, ©2011.
Description:1 online resource (335 pages)
Language:English
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Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11279548
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Other authors / contributors:Massey, Lance, 1969-
Gebhardt, Richard C.
ISBN:9780874218213
0874218217
1283282313
9781283282314
9786613282316
6613282316
9780874218206
0874218209
Digital file characteristics:data file
Notes:Includes bibliographical references and index.
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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
English.
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Summary:Lance Massey and Richard Gebhardt offer in this collection many signs that composition again faces a moment of precariousness, even as it did in the 1980sthe years of the great divorce from literary studies. The contours of writing in the university again are rapidly changing, making the objects of scholarship in composition again unstable. Composition is poised to move not from modern to postmodern but from process to postprocess, from a service-oriented "field" to a research-driven "discipline." Some would say we are already there. Momentum is building to replace "composition" and the pedagogical imperative long implied in that term with a "writing studies" model devoted to the study of composition as a fundamental tool of, and force within, all areas of human activity. Appropriately, contributors here use Stephen M. North's 1987 book The Making of Knowledge in Composition to frame and background their discussion, as they look at both the present state of the field and its potential futures. As in North's volume, The Changing of Knowledge in Composition describes a body of research and pedagogy brimming with conflicting claims, methodologies, and politics, and with little consensus regarding the proper subjects and modes of inquiry. The deep ambivalence within the field itself is evident in this collection. Contributors here envision composition both as retaining its commitment to broad-based, generalized writing instruction and as heading toward content-based vertical writing programs in departments and programs of writing studies. They both challenge and affirm composition's pedagogical heritage. And they sound both sanguine and pessimistic notes about composition's future
Other form:Print version: Changing of knowledge in composition. Logan, Utah : Utah State University Press, ©2011 9780874218206
Standard no.:9786613282316