Yoshua Okón : colateral = collateral /

Yoshua Okón : colateral = collateral /

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Bibliographic Details
Author / Creator:	Okón, Yoshua, 1970-, artist.
Uniform title:	Works. Selections
Edition:	Primera edición.
Imprint:	Ciudad de México : MUAC, Museo Universitario Arte Contemporáneo, UNAM : Editorial RM ; Puebla, Pue. México : Museo Amparo ; Barcelona : RM Verlag, 2017.
Description:	184 pages : illustrations (chiefly color) ; 23 cm.
Language:	English Spanish
Series:	Folio MUAC ; 060 Folio MUAC ; 060.
Subject:	Okon, Yoshua, -- 1970- -- Criticism and interpretation. Okon, Yoshua, -- 1970- -- Exhibitions. Video installations (Art) -- Exhibitions. Video art -- Mexico -- Exhibitions. Installations (Art) -- Mexico -- Exhibitions.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/11372619

Hidden Bibliographic Details
Varying Form of Title:	Colateral Collateral
Other authors / contributors:	Welchman, John C., curator, writer of supplementary textual content. Chávez Mac Gregor, Helena, 1979-, writer of supplementary textual content. Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo, host institution, issuing body. Museo Amparo (Puebla, Mexico), host institution, issuing body.
ISBN:	9788417047351 8417047352 9786070297366 6070297369 9786079728571 6079728575
Notes:	"Published on occasion of the exhibition Yoshua Okón. Collateral (September 23,2017 to February 11, 2018) MUAC, Museo Universitario Arte Contemporáneo.UNAM, Universidad Nacional Autónoma de México, Mexico City; (March 3 toJune 4, 2018) Museo Amparo, Puebla."--Facing Title Page. Includes bibliographical references (page 194) Texts in Spanish and Englsih.
Summary:	Since the mid-1990's Yoshua Okón (b. México, 1970) has produced works that explore the complexities of contemporary societies, addressing issues such as reality and fiction, power in authority, and social stereotypes, among others. "Rather than arranging the exhibition in a chronological or thematic sequence, it unfolds as a spiral that moves from Mexico City where Okón was born and has worked for the majority of his career (Bocanegra, 2007; Chocorrol, 1997), to a pair of engagements with the U.S.-Mexican border (Canned Laughter, 2009, and Oracle, 2015), and thence to Maine, the continental U.S. state furthest from Mexico City, where The Indian Project: Rebuilding History and WalMart Shoppers were made in 2015. From here Okón takes us to Guatemala via suburban Los Angeles (Octopus, 2011); south to Santiago de Chile (Chille, 2009); and finally to Herzliya in Israel where Gaza Stripper was performed and then re-presented as an installation in 2006."--Page 31.

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Call Number:	N6559.O395A4 2017
c.1	Available Loan period: standard loan Scan and Deliver Request for Pickup Need help? - Ask a Librarian