Yoshua Okón : colateral = collateral /

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Bibliographic Details
Author / Creator:Okón, Yoshua, 1970-, artist.
Uniform title:Works. Selections
Edition:Primera edición.
Imprint:Ciudad de México : MUAC, Museo Universitario Arte Contemporáneo, UNAM : Editorial RM ; Puebla, Pue. México : Museo Amparo ; Barcelona : RM Verlag, 2017.
Description:184 pages : illustrations (chiefly color) ; 23 cm.
Language:English
Spanish
Series:Folio MUAC ; 060
Folio MUAC ; 060.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11372619
Hidden Bibliographic Details
Varying Form of Title:Colateral
Collateral
Other authors / contributors:Welchman, John C., curator, writer of supplementary textual content.
Chávez Mac Gregor, Helena, 1979-, writer of supplementary textual content.
Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo, host institution, issuing body.
Museo Amparo (Puebla, Mexico), host institution, issuing body.
ISBN:9788417047351
8417047352
9786070297366
6070297369
9786079728571
6079728575
Notes:"Published on occasion of the exhibition Yoshua Okón. Collateral (September 23,2017 to February 11, 2018) MUAC, Museo Universitario Arte Contemporáneo.UNAM, Universidad Nacional Autónoma de México, Mexico City; (March 3 toJune 4, 2018) Museo Amparo, Puebla."--Facing Title Page.
Includes bibliographical references (page 194)
Texts in Spanish and Englsih.
Summary:Since the mid-1990's Yoshua Okón (b. México, 1970) has produced works that explore the complexities of contemporary societies, addressing issues such as reality and fiction, power in authority, and social stereotypes, among others. "Rather than arranging the exhibition in a chronological or thematic sequence, it unfolds as a spiral that moves from Mexico City where Okón was born and has worked for the majority of his career (Bocanegra, 2007; Chocorrol, 1997), to a pair of engagements with the U.S.-Mexican border (Canned Laughter, 2009, and Oracle, 2015), and thence to Maine, the continental U.S. state furthest from Mexico City, where The Indian Project: Rebuilding History and WalMart Shoppers were made in 2015. From here Okón takes us to Guatemala via suburban Los Angeles (Octopus, 2011); south to Santiago de Chile (Chille, 2009); and finally to Herzliya in Israel where Gaza Stripper was performed and then re-presented as an installation in 2006."--Page 31.

MARC

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240 1 0 |a Works.  |k Selections 
245 1 0 |a Yoshua Okón :  |b colateral = collateral /  |c curador y editor = curator and editor : John C. Welchman ; [textos = texts : Helena Chávez Mac Gregor [and others]] 
246 3 0 |a Colateral 
246 3 1 |a Collateral 
250 |a Primera edición. 
264 |a Ciudad de México :  |b MUAC, Museo Universitario Arte Contemporáneo, UNAM :  |b Editorial RM ;  |a Puebla, Pue. México :  |b Museo Amparo ;  |a Barcelona :  |b RM Verlag,  |c 2017. 
300 |a 184 pages :  |b illustrations (chiefly color) ;  |c 23 cm. 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
336 |a still image  |b sti  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/sti 
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500 |a "Published on occasion of the exhibition Yoshua Okón. Collateral (September 23,2017 to February 11, 2018) MUAC, Museo Universitario Arte Contemporáneo.UNAM, Universidad Nacional Autónoma de México, Mexico City; (March 3 toJune 4, 2018) Museo Amparo, Puebla."--Facing Title Page. 
504 |a Includes bibliographical references (page 194) 
505 8 |a Yoshua Okón: relaciones internacionales = Yoshua Okón: International Relations / John C. Welchman -- Sodoma & McDonaldœs. Una conversación = Sodom & McDonaldœs. A Conversation / Cuauhtémoc Medina, Yoshua Okón -- Todos estamos en peligro. Una lectura política sobre la obra de Yoshua Okón = We Are All in Danger: A PoliticalReading of the Work of Yoshua Okón / Helena Chávez Mac Gregor -- Semblanza = Biographical Sketch -- Catálogo = Catalogue. 
520 |a Since the mid-1990's Yoshua Okón (b. México, 1970) has produced works that explore the complexities of contemporary societies, addressing issues such as reality and fiction, power in authority, and social stereotypes, among others. "Rather than arranging the exhibition in a chronological or thematic sequence, it unfolds as a spiral that moves from Mexico City where Okón was born and has worked for the majority of his career (Bocanegra, 2007; Chocorrol, 1997), to a pair of engagements with the U.S.-Mexican border (Canned Laughter, 2009, and Oracle, 2015), and thence to Maine, the continental U.S. state furthest from Mexico City, where The Indian Project: Rebuilding History and WalMart Shoppers were made in 2015. From here Okón takes us to Guatemala via suburban Los Angeles (Octopus, 2011); south to Santiago de Chile (Chille, 2009); and finally to Herzliya in Israel where Gaza Stripper was performed and then re-presented as an installation in 2006."--Page 31. 
546 |a Texts in Spanish and Englsih. 
600 1 0 |a Okon, Yoshua,  |d 1970-   |x Criticism and interpretation. 
600 1 0 |a Okon, Yoshua,  |d 1970-   |v Exhibitions. 
650 0 |a Video installations (Art)   |v Exhibitions. 
650 0 |a Video art  |z Mexico  |v Exhibitions. 
650 0 |a Installations (Art)  |z Mexico  |v Exhibitions. 
700 1 |a Welchman, John C.,  |e curator,  |e writer of supplementary textual content.  |0 http://id.loc.gov/authorities/names/n88032925  |1 http://viaf.org/viaf/54216609 
700 1 0 |a Chávez Mac Gregor, Helena,  |d 1979-,  |e writer of supplementary textual content.  |0 http://id.loc.gov/authorities/names/no2015024904  |1 http://viaf.org/viaf/314907434 
710 2 |a Universidad Nacional Autónoma de México.  |b Museo Universitario Arte Contemporáneo,  |e host institution,  |e issuing body.  |0 http://id.loc.gov/authorities/names/no2009099541  |1 http://viaf.org/viaf/312872174 
710 2 |a Museo Amparo (Puebla, Mexico),  |e host institution,  |e issuing body.  |0 http://id.loc.gov/authorities/names/n93006210  |1 http://viaf.org/viaf/172797347 
830 0 |a Folio MUAC ;  |v 060. 
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927 |t Library of Congress classification  |a N6559.O395A4 2017  |l JRL  |c JRL-Gen  |e WAGN  |b 114127873  |i 9880500