Hidden Bibliographic Details
| ISBN: | 9780472121700
0472121707
0472053035
9780472053032
0472073036
9780472073030
9780472900664
0472900668
9780472053032
9780472073030
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| Notes: | Includes bibliographical references and index.
Restrictions unspecified
Open Access
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2016.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
English.
digitized 2016 HathiTrust Digital Library committed to preserve
Print version record.
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| Summary: | "Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers a historicized reappraisal of 1920s and 1930s German photomontage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it."
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| Other form: | Print version: Chatter of the visible. Ann Arbor : University of Michigan Press, [2016] 9780472073030
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| Standard no.: | 10.3998/mpub.8814717
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