Les modèles dans l'art du Moyen Âge (XIIe-XVe siècles) = Models in the art of the Middle Ages (12th-15th centuries) /

Les modèles dans l'art du Moyen Âge (XIIe-XVe siècles) = Models in the art of the Middle Ages (12th-15th centuries) /

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Bibliographic Details
Imprint:	Turnhout : Brepols, [2018] ©2018
Description:	284 pages : illustrations (some color), facsimiles, maps ; 30 cm.
Language:	English French
Series:	Répertoire iconographique de la littérature du Moyen Âge. Les Études du RILMA ; 10 Répertoire iconographique de la littérature du Moyen Age. Études du RILMA ; 10.
Subject:	Art, Gothic -- Congresses. Art, Medieval -- Congresses. Artists' models -- Europe -- History -- To 1500 -- Congresses. Artists and models in art -- Congresses. Art, Gothic. Art, Medieval. Artists and models in art. Artists' models. Europe. Conference papers and proceedings. History.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/11671500

Hidden Bibliographic Details
Varying Form of Title:	Models in the art of the Middle Ages (12th-15th centuries)
Other authors / contributors:	Borlée, Denise, editor. Terrier Aliferis, Laurence, editor. Joubert, Fabienne, writer of preface. Université de Genève, host institution.
ISBN:	9782503578026 2503578020
Notes:	"Actes du colloque, Modèles supposés, modèles repérés : leurs usages dans l'art gothique = Conference proceedings, Supposed models, identified models : their uses in Gothic art : Université de Genève (3-5 novembre 2016)." Includes bibliographical references. In French, with six contributions in English; abstracts in English and French.
Summary:	This publication brings together, for the first time on the subject, a collection of works that address various issues relating to the use of models in artistic creation in the Gothic era. The methods of circulating artistic forms in the West between the twelfth and fifteenth centuries are examined from four different angles: the model, model books, three-dimensional models that challenge the notion of artistic versatility, and the technical processes of transfers, particularly in the art of stained glass and goldsmithery. Drawing upon very concrete case studies, the authors base their work on specific, wide-ranging examples covering a variety of artistic fields, and in so doing, provide readers with valuable insight into these practices, which, although often presumed, still remain relatively difficult to understand within the context of medieval artistic production.

Regenstein, Bookstacks

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Call Number:	N6310 .M63 2018
c.1	Available Loan period: standard loan Scan and Deliver Request for Pickup Need help? - Ask a Librarian