Hidden Bibliographic Details
| Other title: | Art as technique.
Sterne's Tristam Shandy.
Thematics.
Theory of the "formal method."
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| Other uniform titles: | Lemon, Lee T.
Reis, Marion J.
Morson, Gary Saul, 1948-
Shklovskiĭ, Viktor, 1893-1984. Iskusstvo kak priëm. English.
Shklovskiĭ, Viktor, 1893-1984. "Tristram Shendi" Sterna i teorii︠a︡ romana. English.
Tomashevskiĭ, B. V. (Boris Viktorovich), 1890-1957. Tematika. English.
Ėĭkhenbaum, B. (Boris), 1886-1959. Teorii︠a︡ "formalʹnogo metoda." English.
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| ISBN: | 9780803274518
0803274513
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| Notes: | Includes bibliographical references and index.
Translated from the Russian.
Print version record.
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| Summary: | The Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then, however, they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Shklovsky's pioneering "Art as Technique" (1917) defines the literary as a way to make us see familiar things as if for the first time. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpi.
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| Other form: | Print version: Lemon, Lee T. Russian Formalist Criticism : Four Essays, Second Edition. Lincoln : UNP - Nebraska Paperback, ©2012 9780803239982
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