Guillermo Gómez-Peña : Mexican (in)documentado /

Saved in:
Bibliographic Details
Edition:Primera edición.
Imprint:Ciudad de México : Instituto Nacional de Bellas Artes, Museo de Arte Moderno, 2017.
Description:1 volume (unpaged) : illustrations (some color), portraits ; 33 cm.
Language:Spanish
Series:Museos y galerías
Museos y galerías.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11866333
Hidden Bibliographic Details
Varying Form of Title:Mexican (in)documentado
Other uniform titles:León, Luis Miguel,
Gómez-Peña, Guillermo. Works. Selections.
Other authors / contributors:Museo de Arte Moderno (Mexico), host institution.
Instituto Nacional de Bellas Artes (Mexico), issuing body.
Notes:"El 11 de agosto de 2016 se presentó "Mapa Corpo 2.0" en el Museo de Arte Moderno, performance a cargo de Guillermo Gómez-Peña y su grupo de colaboradores "La Pocha Nostra" que fue el preámbulo de la exposición "Guillermo Gómez-Peña: Mexican (in)documentado" y de este catálogo que la acompaña" --Page [5].
On smaller size front cover bound with pages of different sizes.
Includes bibliographical references.
Summary:"Mexican in documentado" by Guillermo Gómez-Peña (Mexico City 1955, moved to the US in 1978) is the first individual exhibition in Mexico of one of the pioneering artists of performance art, presenting more than 150 works, including costumes, videos, photoperformance, installations, documents, texts and paraphernalia from his studies in Mexico City and in San Francisco, California._ With his exhibitionist temperament and his numerous books (most of them out-of-print), Gómez-Peña contributed to intensify the 20th-century debates surrounding sexual emancipation, cultural and gender diversity, border coexistence, and tensions between Mexico and the United States, today again the subject to sharp disagreements. "Preceded by a strong reputation as a disturbing performer, in the 1990's Guillermo Gómez-Peña offered to whom worked in the "chilango" cultural world, a powerful underground figure, mysterious in his brief appearances, although consistent. He imposed the capacity for outrage, sarcasm and self-parody with which he fought racism, xenophobia, misogyny and homophobia." (HKB Translation) --Page [6].

Regenstein, Bookstacks

Loading map link
Holdings details from Regenstein, Bookstacks
Call Number: f NX512.G66 A4 2017
c.1 Available Loan period: standard loan  Scan and Deliver Request for Pickup Need help? - Ask a Librarian