Hütten Hecken Haufen = Huts hedges heaps /

Hütten Hecken Haufen = Huts hedges heaps /

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Bibliographic Details
Author / Creator:	Krauss, Ingar, photographer.
Edition:	Erste Auflage.
Imprint:	Stuttgart : Hartmann Books, [2019] ©2019
Description:	87 pages : chiefly illustrations ; 27 cm
Language:	German English
Subject:	Krauss, Ingar -- Exhibitions. Krauss, Ingar. Landscape photography -- Germany -- Exhibitions. Black-and-white photography -- Germany -- Exhibitions. Country life in art -- Exhibitions. Trees in art -- Exhibitions. Photography, Artistic -- 21st century -- Exhibitions. Country life -- Germany -- Pictorial works. Black-and-white photography. Country life. Country life in art. Landscape photography. Photography, Artistic. Trees in art. Germany. Exhibition catalogs. Pictorial works.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/11932395

Hidden Bibliographic Details
Varying Form of Title:	Huts hedges heaps
Other authors / contributors:	Tietz, Annette, editor. Moseley, Allison, translator. Galerie Pankow, host institution.
ISBN:	9783960700388 3960700385
Notes:	Published on the occasion of the exhibition "Lichtungen" held at Galerie Pankow, Berlin, Germany, 29 May-27 July 2019. German title from cover; English title from page [5]. Texts in German and English.
Summary:	The book "Huts Hedges Heaps" ... is about human order in nature. The laconic photographs of small, rural gardens that Krauss shot between 2010 and 2017, particularly in Brandenburg, show concentrated traces of human efforts to create order, which take on graphic and sculptural dimensions in the pictures' structure. In the Black Forest he produced pictures of wood piles, whose man-made forms seem even more abstract because they organically fit into the structures of their natural surroundings, recalling the work of Land artists. The huts, hedges, and heaps are connected to the American New Topographic movement of the 1970s insofar as they "fulfill everything that people wanted in a picture in those days, overturning an observation into a 'higher' order of some kind; the monumentalization of the everyday, not by resorting to monumentalizing genres, but by the captivating composition of the image," as Ulf Erdmann Ziegler writes. --Publisher's website.

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Call Number:	f TR660 .K73 2019
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