| Summary: | Plastic neo-avant-garde: background and contexts, published for the first time in 1983, is one of the first investigative works that diagrammed the Chilean art scene of the period. Its author, Osvaldo Aguiló, takes into account that the production context of these works is fragmented, marked by its marginality and outside the cultural and discursive models proposed by the officialdom of the museum and the dictatorial State. The reissue of this book seeks to offer an expanded view, building links and proposing readings between the works, events or milestones that surround the production of the 70s and 80s in Chile, as well as expanding the knowledge we have about the book itself and its editorial, CENECA.
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