Ugo Rondinone : kiss now kill later /

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Bibliographic Details
Author / Creator:Rondinone, Ugo, 1963-
Imprint:Zürich : JRP Ringier Kunstverlag, c2017.
Description:313 pages : illustrations (chiefly color) ; 32 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12728365
Hidden Bibliographic Details
Varying Form of Title:Kiss now kill later
Other authors / contributors:Buschhoff, Anne.
Curiger, Bice, 1948-
Galerie Eva Presenhuber.
ISBN:9783037645079
3037645075
Notes:"This book was published following the exhibition 'Ugo Rondinone : kiss now kill later', Galerie Eva Presenhuber, Zurich, September 2, 2011 - October 30, 2011"--Colophon
Summary:Born in 1963, New York-based Swiss artist Ugo Rondinone is one of the leading voices in the contemporary visual arts. Using photography, video, painting, drawing, sculpture, sound, and text in turn, he is a virtuoso of forms and techniques. Rondinone particularly enjoys destabilizing the viewers? perceptions and unsettling their certainties by developing surprising sensorial environments. Rearranging content and formal elements through a personal poetic filter while drawing directly on the outside world, he envelops the audience in a synesthetic experience. 0The artist has developed very precise and repetitive series?clown sculptures and videos, target acrylic paintings on linen, rubber masks, aluminum face sculptures, oversized wax lightbulbs, striped paintings on polyester, stone sculptures, landscape ink painting, bronze still-life objects, video and sound installations?through which he explores themes of fantasy and desire, branching out in literature and poetry, contemporary cinema, and the visual arts. 0A new series of three publications extensively documents three of his most renowned series: the Landscapes paintings, the Stripe paintings, and the Target paintings. In the third volume dedicated to the Landscapes paintings (1989?2011), critic and curator Bice Curiger proposes an historical and poetical reading of this body of work, while Kunsthalle Bremen Curator of Prints Anne Buschhoff offers an iconographic perspective on them. She concludes,?With his forest pieces, Rondinone has developed a private iconography of landscape?a pictorial reality, which plays with the purportedly real, and heightens it to the point of the surreal. In doing so, he opens spaces of imagination in the viewer. But above all, in doing so, he places nature entirely at his own disposal, turning it into the biographical. The forest is a psychological space?the forest is Rondinone.?

Regenstein, Bookstacks

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Call Number: f N7153.R66 A4 2017
c.1 Available Loan period: standard loan  Scan and Deliver Request for Pickup Need help? - Ask a Librarian