From Donatello to Alessandro Vittoria 1450-1600 : 150 years of sculpture in the Republic of Venice /

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Bibliographic Details
Uniform title:Da Donatello a Alessandro Vittoria. English.
Edition:First edition.
Imprint:Venice : Marsilio Arte, April 2022.
©2022
Description:159 pages : illustrations (chiefly color) ; 27 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12779660
Hidden Bibliographic Details
Other authors / contributors:Bergamo Rossi, Toto, editor, curator.
Cremonini, Claudia, editor, curator.
Galleria Franchetti alla Ca' d'oro (Venice, Italy), host institution.
ISBN:9791254630389
Notes:Published on the occasion of an exhibition held at the Galleria Franchetti alla Ca' d'oro, Venice, Italy, April 22-October 30, 2022.
"Exhibition curated by Toto Bergamo Rossi, Claudia Cremonini"--Page [3].
Includes bibliographical references (pages 154-159).
Summary:This volume intends to analyze some particularly significant moments of a very broad story, such as that of the sculptural production in the Venetian Republic from the early Renaissance to the late Manner (mid-15th-early 17th century), highlighting the complexity and richness of stylistic and iconographic contributions in those years of strong renewal for the local figurative culture. Donatello's language arrived early in the lagoon, already around 1423, through the arrival of some Florentine sculptors such as Pietro di Niccolò Lamberti and Nanni di Bartolo, but the great sculptor's stay for a decade in Padua (1443-1453) was a turning point. Around the second half of the 15th century, the sculptors and architects Antonio Rizzo and Pietro Lombardo, together with the latter's sons - Tullio and Antonio - were the protagonists of this revival season, and actually introduced the stylistic features of the Renaissance in Venice. 00Exhibition: Galleria Giorgio Franchetti alla Ca' d'Oro, Venice, Italy (22.04.-30.10.2022).

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Call Number: NB621.V5D3213 2022
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