Theory of prominence : temporal structure of music based on linguistic stress /

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Bibliographic Details
Author / Creator:Hayslett, Bryan, author.
Imprint:Cambridge, United Kingdom ; New York : Cambridge University Press, 2022.
©2022
Description:72 pages : illustrations, music ; 23 cm.
Language:English
Series:Cambridge elements. Elements in music since 1945
Cambridge elements. Elements in music since 1945.
Subject:
Format: Music score Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/12781060
Hidden Bibliographic Details
ISBN:9781108813334
110881333X
9781108884402
Notes:Includes bibliographical references (pages [70]-72).
Summary:"Many twentieth- and twenty-first-century composers have written music with rhythmic structures that must be understood through a framework distinct from even periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system outlines structure and phrasing in sections of music without even perceptible meter. Instead of entrainment to meter, Bryan Hayslett theorizes that listeners perceive rhythm in similar ways to how they perceive the rhythm of language. With gesture as the smallest organizational grouping unit, his analytical system combines Fred Lerdahl and Ray Jackendoff's generative theory of tonal music with Bruce Hayes's metrical stress theory from linguistics. The listener perceives the shape of a gesture according to the structure of its constituents, and larger-level phrasing is perceived through the hierarchical relationship of gestures. After developing a set of rules, the author provides analyses that outline temporal structure according to perceptual prominence"--
Other form:Online version: Hayslett, Bryan. Theory of prominence [1.] Cambridge, United Kingdom ; New York : Cambridge University Press, 2022 9781108884402

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Call Number: ML3813.H39 2022
c.1 Available Loan period: standard loan  Scan and Deliver Request for Pickup Need help? - Ask a Librarian