Hidden Bibliographic Details
| Varying Form of Title: | Collaborative spirit : essays on Northern European art, 1350-1650
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| Other authors / contributors: | Ainsworth, Maryan W., honoree.
Koopstra, Anna, editor.
Seidel, Christine, editor.
Waterman, Joshua P., 1974- editor.
Eyck, Jan van, 1390-1440, artist.
Christus, Petrus, approximately 1410-1472 or 1473, artist.
Provost, Jan, 1465-1529, artist.
Heemskerk, Martin van, 1498-1574, artist.
Christiansen, Keith, author.
Borchert, Till, author.
Kemperdick, Stephan, author.
Spronk, Ron, author.
Faries, Molly, author.
Martens, Maximiliaan P. J., author.
Chapuis, Julien, author.
Hoffmann, Sophie, author.
Eichberger, Dagmar, author.
Wolfthal, Diane, author.
Hindriks, Sandra, author.
Parshall, Peter, author.
Hoppe-Harnoncourt, Alice, author.
Kren, Thomas, 1950- author.
Meuwissen, Daantje, 1970- author.
Ewing, Dan, author.
Brink, Peter van den, author.
Scully, Sophie, author.
Kasl, Ronda, author.
Gifford, E. Melanie, author.
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| ISBN: | 9781912554751
1912554755
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| Notes: | Includes essays about artists Jan van Eyck, Petrus Christus, Jan Provoost, Maarten van Heemskerck, and others.
Contributors Keith Christiansen, Till-Holger Borchert, Stephan Kemperdick, Ron Spronk, Molly Faries, Maximiliaan P.J. Martens, Julien Chapuis, Sophie Hoffmann, Dagmar Eichberger, Diane Wolfthal, Sandra Hindriks, Peter Parshall, Alice Hoppe-Harnoncourt -- Thomas Kren, Daantje Meuwissen, Dan Ewing, Peter van den Brink, Sophie Scully, Ronda Kasl, Melanie Gifford.
Includes bibliographical references, and bibliography of Maryan W. Ainsworth (pages 20-31).
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| Summary: | This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth's emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth's research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media - mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass.
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