The colour of anxiety : race, sexuality and disorder in Victorian sculpture /

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Bibliographic Details
Imprint:Leeds : Henry Moore Foundation, 2023.
Description:76 pages : illustrations (black and white, and colour) ; 23 cm
Language:English
Series:Essays on sculpture ; 81.
Essays in the study of sculpture ; 81.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13146441
Hidden Bibliographic Details
Other authors / contributors:Sillars, Laurence, writer of foreword.
Jennings, Nicola (Art historian), editor, writer of essay.
Childs, Adrienne L., editor, writer of essay.
Nelson, Charmaine, writer of essay.
Bindman, David, writer of essay.
Getsy, David, writer of essay.
Clarke, Christa, writer of essay.
Henry Moore Institute (Leeds, England), host institution.
ISBN:9781905462643
1905462646
Notes:Cover title.
Includes bibliographical references.
Summary:In the late nineteenth century, British sculptors began to move away from the whiteness of Neoclassical marble and started to incorporate colour into their work, using bronze, silver, gold, ivory and porcelain as well as semi-precious stones, tinted waxes, enamels and paint. The exhibition examined the rise of coloured sculpture in relation to widespread anxieties about social change and scientific advances, drawing attention to a Victorian fascination with colouring people and people of colour. Includes a reprint of David J. Getsy's article 'Privileging the Object of Sculpture: Actuality and Harry Bates' 'Pandora' of 1890' originally published in Art History (vol. 28, no. 1, February 2005). Exhibition: Henry Moore Institute, Leeds, UK (25.11.2022 - 26.02.2023).

Regenstein, Bookstacks

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Call Number: NB467.C65 2023
c.1 Available Loan period: standard loan  Scan and Deliver Request for Pickup Need help? - Ask a Librarian