Studies on authorship in historical keyboard music /

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Bibliographic Details
Imprint:Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2024.
©2024
Description:xiv, 205 pages : illustrations ; 25 cm.
Language:English
Series:Ashgate historical keyboard series
Ashgate historical keyboard series.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13445176
Hidden Bibliographic Details
Other authors / contributors:Woolley, Andrew, editor.
ISBN:9781032168111
1032168110
9781032168142
1032168145
9781003250395
9781000968415
9781000968408
Notes:Includes bibliographical references and index.
Summary:"Authorship is a prescient issue for historical musicology and musicians more widely, while some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focusing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places"--
Other form:Online version: Studies on authorship in historical keyboard music [First edition] Abingdon, Oxon ; New York : Routledge, 2023 9781003250395

Regenstein, Bookstacks

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Call Number: ML549.S84 2024
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