Constructive strands in Russian art, 1914-1937 /
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| Author / Creator: | Lodder, Christina, 1948- |
|---|---|
| Imprint: | London : Pindar, 2005. |
| Description: | ix, 589 p. : ill. ; 25 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4691516 |
Table of Contents:
- I. Prints for the people : the popular printed image in Russia before the revolution
- II. The transrational in painting : Kazimir Malevich, Alogism and Zaum
- III. To infinity and beyond : Kazimir Malevich, suprematism, and the aeroplane
- IV. From the studio to the factory : the press for a new art in Russia 1917-21
- V. Lenin's plan for monumental propaganda
- VI. Monuments to the masses : embodying the collective
- VII. Tatlin's Monument to the Third International as a symbol of revolution
- VIII. The genesis of productivism and constructivism : a dialogue between theory and practice
- IX. The Obmokhu exhibition of 1921 and the emergence of constructivism
- X. Constructivism and productivism in the 1920s
- XI. Constructivist theatre as a laboratory for an architectural aesthetic
- XII. Promoting constructivism : Kino-fot and Rodchenko's move into photography
- XIII. Aleksandr Rodchenko, Aleksei Gan and the emergence of constructivist typography
- XIV. Lyubov Popova : a revolutionary woman artist
- XV. The Vkhutemas and the Bauhaus : a creative dialogue
- XVI. El Lissitzky and international constructivism in Berlin 1922-1925
- XVII. Seeing red : Lissitzky's abstract cabinet and the ideology of display
- XVIII. International constructivism and the legacy of Unovis in the 1920s : El Lissitzky, Katarzyna Kobro and Wladislaw Strzeminski.
