Review by Booklist Review
"O'Farrell's fourth novel brilliantly illustrates her talent for gradually revealing her characters' inner lives by jumping back and forth in time and juxtaposing different narrative points of view. Iris Lockhart, a young Scottish woman, is suddenly informed that she has the power of attorney for her great aunt, Esme Lennox who Iris never knew existed. Esme has been locked away in a mental institution for over 60 years a fact never mentioned by her sister Kitty, Iris' grandmother, who now has Alzheimer's. In compelling prose, O'Farrell gradually pieces together the puzzle of Esme's life up to the age of 16, when her cold and repressive parents sent her away to the hospital that is now closing down. Esme had a bold and independent spirit, unseemly for a girl at that time. That as well as a younger brother who died in her arms and a never-mentioned rape contributed to her lost life a life half strangled by what-ifs. A gripping read with superbly crafted scenes that will blaze in the reader's memory long after the novel is returned to the shelf."--"Donovan, Deborah" Copyright 2007 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
O'Farrell (After You'd Gone) delivers an intricate, eloquent novel of family malice, longings and betrayal. Slim, stylish Iris Lockhart runs a dress shop in contemporary Edinburgh when she's not flirting with her stepbrother Alex or rendezvousing with her married attorney lover, Luke. Esme Lennox, meanwhile, is ready to be discharged from the soon-to-be-closed psychiatric hospital where she's been a patient (read: virtual prisoner) for 61 years. Iris becomes aware of Esme's existence when she's informed, to her disbelief, that she has been granted power of attorney over Esme by Kitty Lockhart, Iris's Alzheimer's-afflicted grandmother. It turns out Kitty and Esme are sisters, but Kitty kept quiet about Esme after she was hospitalized at age 16. Layer upon layer of Lockhart family secrets are laid bare-the truth behind Esme's institutionalization, why her existence was kept a secret, and a twist involving Iris's parents-as Iris mulls over what to do with her new charge, and Esme and Kitty reconnect. O'Farrell maintains a high level of tension throughout, and the conclusion is devastating. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Suddenly Iris discovers that she has a great-aunt, shunted away in a hospital for 60 years and just released. What's she going to do? With a reading group guide. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
When the willfully unattached Iris Lockhart receives a call about a great aunt she never met, her loner lifestyle gets woven into a much larger family drama. Iris may harbor a secret forbidden passion, but in her real-life affairs she prefers a detached approach. Therefore, when a call comes from the soon-to-close Cauldstone Hospital, asking what she would like to do with an elderly relative she didn't know existed, she is faced with more intimacy than she's comfortable with. Her great-aunt Esme, mistakenly called "Euphemia" by the staff, has been hospitalized for more than 60 years for various vague psychiatric disorders, at one point it seems for simply not wanting her hair to be cut. After Iris tries to place her, and recoils from the horrors of the recommended halfway house, she takes her into her own flat, carved out of the Scottish family's original grand home, on a trial basis. Over the course of one long weekend, that trial reveals truths about why Esme was hospitalized and why Iris never heard of her, and also delves into Iris's fear of intimacy as her married lover, Luke, teeters on the edge of leaving his wife. Relying on a complex structure that recalls O'Farrell's earlier work (My Lover's Lover, 2003, etc.), most of the book's present action is focused on Iris's day-to-day functioning. But this contemporary action is merely the finale of a drama that's been going on since Esme's youth in India. That story unfolds primarily through a series of inner monologues. Esme enjoys rediscovering some memories but avoids others, while her sister Kitty, now institutionalized with Alzheimer's, runs through old mistakes and excuses that still haunt her in her dementia. At times, these competing voices, each with a different take on exactly what happened, can be confusing, but by the novel's surprising ending, each has become clear. Despite occasional opacity, this slow-building, impressionistic work amply rewards dedicated readers with a moving human drama. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
Review by Booklist Review
Review by Publisher's Weekly Review
Review by Library Journal Review
Review by Kirkus Book Review