| Summary: | Script writer and documentary filmmaker Mendoza combines his professional knowledge with a series of reflections by other specialists of this genre in 9 essay that analyze the relationship of documental cinema and other disciplines such as journalism, history, ethics, aesthetics, the script, technology, rhetoric, animation and graphic resources. This book is the continuation of a previous work titled "El ojo con memoria: Apuntes para un método de cine documental" he wrote in 1999. This new book discusses in more detail topics only mentioned before exploring the multidisciplinary aspects that should be part of the teaching of documentary cinema.
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