| Summary: | Jacobs creates a film about the nature of cinema by re-editing a conventional short narrative film. The original work is a cliched melodrama about the life of a kindly country doctor who saves a sick child with a new vaccine. The film was based on a painting entitled "The Doctor" exhibited in the Tate Gallery, London. Jacobs subverts the story and breaks down the narrative into a vocabulary of gestures, expressions, props and plot devices. A subliminal subtext emerges revealing the sexual overtones in the relationship between the doctor and his young patient.
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