Hidden Bibliographic Details
| Varying Form of Title: | Longing, belonging and displacement
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| ISBN: | 9781845115432 (hbk.)
1845115430 (hbk.)
9781845115449 (pbk.)
1845115449 (pbk.)
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| Notes: | Includes bibliographical references (p. [239]-246) and index.
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| Summary: | From the Publisher: In the ten years between 1960 and 1970, German-born American artist Eva Hesse produced one of the most compelling art practices of the twentieth century. Her death in 1970 has been a profound loss for contemporary art but the creative legacies of her practice continue to impact upon today's artists. In this book, Vanessa Corby presents a fascinating new analysis that starts from and circles back to two drawings made by Eva Hesse in 1960-61. Written from the position of a painter, the book develops a novel art historical method to consider the manner in which artistic protocols and processes negotiate and transform culturally mediated historical experience. Hesse's encounters with the work of Rico Lebrun, the growing cultural significance of The Diary of Anne Frank, and the capture and trial of Adolf Eichmann are each situated in relation to the artist's processes of picturing in order to supplement and shift current understanding of Hesse's art practice. Corby aims to show that the artist's work emerged in parallel with the recognition of the event now named 'the Holocaust' in American culture. Thus this groundbreaking text does not claim that Hesse's work is about the Holocaust. Instead, it positions her artistic practice and sense of identity as an artist as the product of a desire to belong, a longing precipitated by her initial displacement caused by forced emigration from Germany in 1939, and a longing re-invoked by the specific cultural and political contexts of 1950s and 1960s America.
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| Other form: | Online version: Corby, Vanessa. Eva Hesse. London ; New York : I. B. Tauris ; New York : Distributed in the U.S. and Canada exclusively by Palgrave Macmillan, 2010
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