Eva Hesse : longing, belonging and displacement /

Eva Hesse : longing, belonging and displacement /

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Bibliographic Details
Author / Creator:	Corby, Vanessa.
Imprint:	London ; New York : I. B. Tauris ; New York : Distributed in the U.S. and Canada exclusively by Palgrave Macmillan, 2010.
Description:	xviii, 250 p., [8] p. of plates : ill. (some col.) ; 24 cm.
Language:	English
Series:	New encounters New encounters (London, England)
Subject:	Hesse, Eva, -- 1936-1970 -- Criticism and interpretation. Hesse, Eva, -- 1936-1970. Desire in art. Displacement (Psychology) in art. Desire in art. Displacement (Psychology) in art. Criticism, interpretation, etc.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/8121845

Hidden Bibliographic Details
Varying Form of Title:	Longing, belonging and displacement
ISBN:	9781845115432 (hbk.) 1845115430 (hbk.) 9781845115449 (pbk.) 1845115449 (pbk.)
Notes:	Includes bibliographical references (p. [239]-246) and index.
Summary:	From the Publisher: In the ten years between 1960 and 1970, German-born American artist Eva Hesse produced one of the most compelling art practices of the twentieth century. Her death in 1970 has been a profound loss for contemporary art but the creative legacies of her practice continue to impact upon today's artists. In this book, Vanessa Corby presents a fascinating new analysis that starts from and circles back to two drawings made by Eva Hesse in 1960-61. Written from the position of a painter, the book develops a novel art historical method to consider the manner in which artistic protocols and processes negotiate and transform culturally mediated historical experience. Hesse's encounters with the work of Rico Lebrun, the growing cultural significance of The Diary of Anne Frank, and the capture and trial of Adolf Eichmann are each situated in relation to the artist's processes of picturing in order to supplement and shift current understanding of Hesse's art practice. Corby aims to show that the artist's work emerged in parallel with the recognition of the event now named 'the Holocaust' in American culture. Thus this groundbreaking text does not claim that Hesse's work is about the Holocaust. Instead, it positions her artistic practice and sense of identity as an artist as the product of a desire to belong, a longing precipitated by her initial displacement caused by forced emigration from Germany in 1939, and a longing re-invoked by the specific cultural and political contexts of 1950s and 1960s America.
Other form:	Online version: Corby, Vanessa. Eva Hesse. London ; New York : I. B. Tauris ; New York : Distributed in the U.S. and Canada exclusively by Palgrave Macmillan, 2010

Description
Summary:	Here is an important new examination of the work of American German Jewish artist Eva Hesse, one of the most significant figures in twentieth century art. Using exciting new feminist approaches and taking as her starting point two key works, Corby reveals the way in which Hesse has been constructed as a 'woman artist' and explores the overlooked legacy of the Holocaust and refugee life in her art practice. Considering creativity and the feminine, trauma and historiography, and providing a reassessment of Hesse's relationship with her mother and its impact on her work, the book also confirms the importance of drawing practice within Hesse's wider oeuvre.
Physical Description:	xviii, 250 p., [8] p. of plates : ill. (some col.) ; 24 cm.
Bibliography:	Includes bibliographical references (p. [239]-246) and index.
ISBN:	9781845115432 1845115430 9781845115449 1845115449