Dada, surrealism, and the cinematic effect /

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Bibliographic Details
Author / Creator:Elder, Bruce (R. Bruce)
Imprint:Waterloo, Ont. : Wilfrid Laurier University Press, c2013.
Description:x, 765 p. ; ill. ; 24 cm.
Language:English
Series:Film + media studies
Film + media studies.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/9287435
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ISBN:9781554586257
1554586259
Notes:Includes bibliographical references and index.
Table of Contents:
  • Acknowledgements
  • Introduction
  • Notes
  • 1. The Fate of Reason in Modernity
  • The Modern Paradigm: Privileging Reason
  • Geometry and Geometries
  • Foundationalism Collapses
  • Logic and Paradox
  • Continuity and the Foundations of Physics
  • Cantor and the Strangeness of Infinity
  • Formalist Mathematics and the Limits of Reason
  • Consequences of Reason's Retreat
  • "Primitivism" as a Response to the Collapse of Reason
  • Notes
  • 2. Dadaism and the Disasters of War
  • The Zürich Coterie and Their Antics
  • The Dada Conspirators: Tristan Tzara
  • The Dada Conspirators: Hugo Ball and Emmy Hennings
  • The Dada Conspirators: Francis Picabia
  • The Künstlerkneipe Cabaret Voltaire and the Galerie Dada
  • DADA: War and Politics
  • DADA against the Burgeoning of Nationalism: What DADA Might Have Prevented
  • A Precursor of DADA: The Comic Grotesque
  • The Diffusion of DADA
  • The Conditions That Produced the State of Mind Known as DADA
  • Elementalism's Menacing Lure
  • DADA: Art and Anti-Art
  • DADA and the Life-Principle
  • Constructive DADA
  • Hans Richter on the Six Forms of Use in Returning Art to Its Elementary Condition
  • Dada Forms: Collage
  • Further on Collage's New Notion of Form
  • DADA and Language
  • Parallels with the Russian Transrationalists and Andrei Bely
  • Zaum and the Higher Consciousness of Trans-Sense
  • Picabia, Man Ray, and the Dadaist Art of the Machine
  • Duchamp and DADA's Art of the Machine
  • Entr'acte: Commentary
  • Man Ray's Dada Cinema
  • Emak Bakia: Introduction
  • Emak Bakia: Commentary
  • DADA: In Conclusion
  • Notes
  • 3. Surrealism and the Cinema
  • Beginnings
  • Psychoanalysis and the Occult: The Intrusion of Alien Forms into Consciousness and the Poetics of the Surrealist Literary Image
  • DADA and Surrealism
  • Hippolyte Taine, Hasard Objectif, the Poetic Image, and the Cinema
  • The Cinema, Photography, and "the Marvellous"
  • Photography, the Surrealist Object, and the Unheimlich
  • Ernst's Frottage as a Handmade Trace and Automatist Form
  • Surrealism, Apollinaire, and Reconciliation
  • Surrealism and the Hegelian Dialectic
  • Surrealism and the Freudian Dialectic
  • Dalí, the Double Image, and Paranoiac-Critical Methods
  • Dalí against Idealism
  • Dalí, Paranoia, and Lacan: A New Phase of Surrealism Begins
  • Lacan's Theories and Surrealists' Conception of the Poetic Image
  • Un chien andalou: Commentary
  • An Anti-Art Film
  • The Verbal Image
  • Surrealism's Fissures and Luis Buñuel's Las Hurdes: Tierra sin pan
  • Las Hurdes and the Documentary
  • Dialectical Structure in Las Hurdes
  • Las Hurdes and Bataille's Heterology
  • Las Hurdes and the Sacred
  • Las Hurdes as an Ethnographic Film
  • The Hurdanos in History
  • How Surrealism Has Been Passed Down into the Twenty-First Century: The Marvellous Correspondence between Max Ernst's Collage Novels and Lawrence Jordan's Films
  • Collage as a Pneumatic Device: Through Ernst to Jordan
  • The Surrealist Collage Novel: Une semaine de bonté-"Dimanche" (Calcination)
  • The Surrealist Collage Novel: Une semaine de bonté-"Lundi" (Dissolution)
  • The Surrealist Collage Novel: Une semaine de bonté-"Mardi" (Separation)
  • The Surrealist Collage Novel: Une semaine de bonté-"Mercredi" (Conjunction)
  • The Surrealist Collage Novel: Une semaine de bonté-"Jeudi" (Putrefaction/Fermentation)
  • The Surrealist Collage Novel: Une semaine de bonté-"Vendredi" (Distillation)
  • The Surrealist Collage Novel: Une semaine de bonté-"Samedi" (Coagulation)
  • Lawrence Jordan: Surrealism and Alchemy
  • Lawrence Jordan's Duo Concertantes: Commentary
  • Part 1. The Centennial Exposition
  • Part 2. Patricia Gives Birth to a Dream by the Doorway
  • Notes
  • In Lieu of a Conclusion
  • Appendix 1. How Reason Lost Its Purchase on Reality
  • Notes
  • Appendix 2. Infinity Confounds Reason
  • Notes
  • Appendix 3. An Account of Gödel's Proof for Poets, Painters, and Art Historians
  • Notes
  • Appendix 4. Emak Bakia: A Shot Analysis and Commentary
  • Notes
  • Appendix 5. Un chien andalou: A Shot Analysis and Commentary
  • Notes
  • Appendix 6. Land without Bread: A Shot Analysis and Commentary
  • Notes
  • Appendix 7. Analysis of Lawrence Jordan's Duo Concertantes
  • Part 1. The Centennial Exposition
  • Part 2. Patricia Gives Birth to a Dream by the Doorway
  • Duo Concertantes Musical Form: Tables
  • Duo Concertantes Part 1: The Centennial Exposition
  • Duo Concertantes Part 2: Patricia Gives Birth to a Dream by the Doorway
  • Index