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The 1st work for 2 flutes, 2 oboes, 2 clarinets, 2 horns, bassoon, and contrabassoon, based on a melody from J.S. Bach's Wachet auf; the 2nd work for piano, violin, and kitchen hardware; the 3rd work for three spatially isolated duos consisting of piccolo and clarinet, xylophone and vibraphone, and violin and violoncello, with solo accordion; the 4th work for piano and percussionist, spatially separated from a string septet on one side of the hall, a woodwind quartet on the other, and a small "street band" in the back of the hall; the 5th work for 2 pianos, based on J.S. Bach's Wachet auf; the 6th work a concerto for clarinet and jazz big band; the 7th work for 2 pianos and 3 percussion; the 8th work an improvisation based on musical materials produced by Henry Brant for 16 spatially separated instrumentalists and mixed voices; the 9th work a spatial composition for 5 woodwinds, 5 brass, and tenor.
Text to the 8th work in part by John Lifton; text to the 9th work by Patricia Gorman Brant.
Various performers.
Recorded June 8, 1984, Utrecht (1st and 6th works); June 4, 1982, at De Doelen, Rotterdam (2nd work); Feb. 12, 1995, Poncho Hall, Cornish College of the Arts, Seattle (3rd work); Dec. 9, 1990, Premiere Dance Theatre, Toronto (4th work); June 15, 1984, at De Ijsbreker, Amsterdam (5th and 7th works); July 15, 1990, Sheridan Opera House, Colo. (8th work); and May 25, 1964, Judson (Steinway) Hall, New York (9th work).
Sung and spoken in English (8th-9th works), with some parts in Indonesian (8th work).
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